Aspect ratios: Difference between revisions

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Removed capitalization on second S of Superscope.
(Linked to Movietone page)
m (Removed capitalization on second S of Superscope.)
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  | 1.85:1  || Flat || 1953 || || Warning: widescreen formats may be soft-matted
  | 1.85:1  || Flat || 1953 || || Warning: widescreen formats may be soft-matted
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  | 2.00:1  || SuperScope || c.1954 || || A short-lived anamorphic that employed the same 2:1 anamorphic squeeze as CinemaScope, but utilized a narrower portion of frame.
  | 2.00:1  || Superscope || c.1954 || || A short-lived anamorphic that employed the same 2:1 anamorphic squeeze as CinemaScope, but utilized a narrower portion of frame.
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  | 2.39:1  || CinemaScope / Anamorphic || 1953 ||    || Historically, CinemaScope aspect ratios have varied. Today's lenses are mostly calibrated for 2.39:1.
  | 2.39:1  || CinemaScope / Anamorphic || 1953 ||    || Historically, CinemaScope aspect ratios have varied. Today's lenses are mostly calibrated for 2.39:1.
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