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==External References==
==External References==
* [http://anthologyfilmarchives.org/pdfs/AFA_Print_Loan_Policy.pdf‎ Anthology Film Archives print loan policy]
* [http://anthologyfilmarchives.org/pdfs/AFA_Print_Loan_Policy.pdf Anthology Film Archives print loan policy]
* [http://www.oscars.org/filmarchive/forms/filmarchive-venuereport.pdf Academy Film Archive venue report form]
* [http://www.oscars.org/filmarchive/forms/filmarchive-venuereport.pdf Academy Film Archive venue report form]



Revision as of 23:44, 24 August 2013

The 21st century projectionist's guiding principle: every print borrowed for exhibition, regardless of gauge or source, should be handled with a maximum of care and a minimum of shortcuts.

...exactly what this means is a matter of debate, of course. Below we will try to collectively come up with some general best practices.

Elements of Style

Before the show:

  • Have a thorough inspection procedure for assessing print condition.
  • Carefully inspect the countdown leader and the cues at the end of each reel to ensure that your changeovers go smoothly.
  • Have an inspection form to facilitate communication about print condition.

During projection:

  • Use 2000 ft. reels and a changeover projection system. Never platter and avoid building prints onto 6000 ft. reels.
  • Never use automation systems or attach automation tape to prints.
  • Show the film in its proper aspect ratio using the appropriate lens and aperture plate.

After the show:

  • Wind the film with care, making sure the edges of the film are flush.
  • When packing for shipping, be sure that the film is secure and packed in material that will not harm the film.

Recommended Equipment

  • Projector models
    • avoid lens turrets
  • splicer varieties
  • cleaning supplies
  • rewind benches

External References