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Framing: Difference between revisions
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===Inspection=== | ===Inspection=== | ||
Things to look for during the [[Inspection]] process in regards to framing are: | Things to look for during the [[Inspection]] process in regards to framing are: | ||
*check splices! Make that any frames spliced together are COMPLETE frames. The number of | *check splices! Make that any frames spliced together are COMPLETE frames. The number of perforations (or sprocket holes) in a complete frame will depend on what film gauge you are working with, 4 perfs for 35mm, 2 perfs for 16mm, 5 perfs for 5/70mm etc. If an incomplete frame (a frame a perf or two cut off) attached to a complete frame will cause the film to "jump" out of frame during your screening. | ||
*make a note of whether the print has a hard matte or not. Some prints have a hard matte for some scenes and no matte for others. Make a note if the lab splices in an anamorphic print seem larger than normal or might be visible on screen. | *make a note of whether the print has a hard matte or not. Some prints have a hard matte for some scenes and no matte for others. Make a note if the lab splices in an anamorphic print seem larger than normal or might be visible on screen. | ||
*Check to make sure any subtitles are "title safe", i.e they won't be cropped out by the aperture plate. Same goes for changeover cues, make a note if they are very close to the top of the frame, or very low in the frame. | *Check to make sure any subtitles are "title safe", i.e they won't be cropped out by the aperture plate. Same goes for changeover cues, make a note if they are very close to the top of the frame, or very low in the frame. | ||
===Hard Matte and Open Matte Prints=== | ===Hard Matte and Open Matte Prints=== | ||