List of post-2000 films made without a digital intermediate

List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow. For the purposes of this list, "Digital Intermediate" refers to image only, rather than image and sound. This list DOES include films that used a DI for effects shots but were otherwise finished photochemically.

2001

• ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed
• THE CURSE OF THE JADE SCORPION (Woody Allen, 2001)
• THE MAN WHO WASN'T THERE (Joel Coen, Ethan Coen, 2001)
• MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed
• TROUBLE EVERY DAY (Claire Denis, 2001)

2002

• FRIDAY NIGHT (Claire Denis, 2002)
• GANGS OF NEW YORK (Martin Scorsese, 2002) unconfirmed
• HOLLYWOOD ENDING (Woody Allen, 2002)
• INSOMNIA (Christopher Nolan, 2002)
• LAUREL CANYON (Lisa Cholodenko, 2002)
• MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
• PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)

2003

• ANYTHING ELSE (Woody Allen, 2003)
• HULK (Ang Lee, 2003)
• MYSTIC RIVER (Clint Eastwood, 2003)

2004

• INTRUDER, THE (Claire Denis, 2004)
• MELINDA AND MELINDA (Woody Allen, 2004)
• MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed

2005

• BATMAN BEGINS (Christopher Nolan, 2005) IMAX Prints went through DMR for 35mm scenes
• BROKEBACK MOUNTAIN (Ang Lee, 2005) Release prints on Fuji stock
• MATCH POINT (Woody Allen, 2005)
• MUNICH (Steven Spielberg, 2005)

2006

• SCOOP (Woody Allen, 2006)
• THE PRESTIGE (Christopher Nolan, 2006)

2007

• CASSANDRA'S DREAM (Woody Allen, 2007)
• THERE WILL BE BLOOD (Paul Thomas Anderson, 2007)

2008

• VICKY CRISTINA BARCELONA (Woody Allen, 2008)

2009

• DARK KNIGHT, THE (Christopher Nolan, 2008) IMAX Prints went through DMR for 35mm scenes
• WHATEVER WORKS (Woody Allen, 2009)

2010

• YOU WILL MEET A TALL DARK STRANGER (Woody Allen, 2010)
• INCEPTION (Chirstopher Nolan, 2010)

2012

• DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
• MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI

2014

• TRANSCENDENCE (Wally Pfister, 2014)
• INTERSTELLAR (Christopher Nolan, 2014) IMAX prints went through DMR for 35mm scenes; 35mm prints went through a DI for IMAX scenes only; 5-perf 70mm prints were entirely photochemical.

2015

• THE HATEFUL EIGHT (Quentin Tarantino, 2015)