35mm - Revision history

Rlyon: /* See also */

2020-05-12T22:14:16Z

Rfhall at 20:50, 21 April 2020

2020-04-21T20:50:56Z

← Older revision		Revision as of 13:50, 21 April 2020
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	There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).		There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).

			==See also==
			* [[35mm projectors]]


	[[Category:Film prints]]		[[Category:Film prints]]
	[[Category:Film gauges]]		[[Category:Film gauges]]

Rfhall at 01:14, 11 December 2016

2016-12-11T01:14:36Z

← Older revision		Revision as of 18:14, 10 December 2016
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	There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).		There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).

			[[Category:Film prints]]
			[[Category:Film gauges]]

Kyle Westphal at 01:09, 11 December 2016

2016-12-11T01:09:29Z

← Older revision		Revision as of 18:09, 10 December 2016
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	== Applications ==		== Applications ==
	For much of the 20th century, 35mm was used for production, editing, distribution, and projection. In its most typical iteration, each frame is four perforations in height. It can accommodate multiple [[aspect ratio\|aspect ratios]] when used in conjunction with different [[lens\|lenses}} and [[aperture plate\|aperture plates]]: 1.33:1, 1.37:1, 1.66:1, 1.85:1, and 2.35:1.		For much of the 20th century, 35mm was used for production, editing, distribution, and projection. In its most typical iteration, each frame is four perforations in height. It can accommodate multiple [[aspect ratio\|aspect ratios]] when used in conjunction with different [[lens\|lenses]] and [[aperture plate\|aperture plates]]: 1.33:1, 1.37:1, 1.66:1, 1.85:1, and 2.35:1.

	There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).		There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).

Kyle Westphal: Created page with "'''35mm''' has been the standard theatrical exhibition format since the early 20th century. As the name implies, it is 35mm in width. == Applications == For much of the 20th..."

2016-12-11T01:08:51Z

Created page with "'''35mm''' has been the standard theatrical exhibition format since the early 20th century. As the name implies, it is 35mm in width. == Applications == For much of the 20th..."

New page

'''35mm''' has been the standard theatrical exhibition format since the early 20th century. As the name implies, it is 35mm in width.

== Applications ==
For much of the 20th century, 35mm was used for production, editing, distribution, and projection. In its most typical iteration, each frame is four perforations in height. It can accommodate multiple [[aspect ratio|aspect ratios]] when used in conjunction with different [[lens|lenses}} and [[aperture plate|aperture plates]]: 1.33:1, 1.37:1, 1.66:1, 1.85:1, and 2.35:1.

There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).

← Older revision		Revision as of 15:14, 12 May 2020
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	There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).		There are other variants, including [[VistaVision]] (eight perforations per frame, running horizontally), [[dual-strip]] polarized [[3-D]] (two 35mm prints running on two projectors, interlocked), Techniscope (two-perf negative, optically printed to four-perf Cinemascope), Super 35 (three-perf negative, printed to four-perf print with an [[anamorphic]] squeeze or a [[hard matte]]).

	==~~See also~~==		==Related Pages==
	* [[35mm projectors]]		* [[35mm projectors]]