Archival prints - Revision history

Rlyon at 21:43, 23 April 2020

2020-04-23T21:43:45Z

← Older revision		Revision as of 14:43, 23 April 2020
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	* [http://www.libraries.iub.edu/index.php?pageId=1002892 Indiana University Film Archives Print Loan Policy & Procedures]		* [http://www.libraries.iub.edu/index.php?pageId=1002892 Indiana University Film Archives Print Loan Policy & Procedures]
	* [http://www.cinema.ucla.edu/collections/print-loan-policy UCLA Film & Television Archive print loan policy]		* [http://www.cinema.ucla.edu/collections/print-loan-policy UCLA Film & Television Archive print loan policy]

			==Resources==
			* [https://www.chicagofilmsociety.org/2013/08/07/what-makes-a-print-archival/ What Makes a Print Archival?] from the Chicago Film Society blog

Rlyon: /* External Resources */

2020-04-23T21:42:58Z

External Resources

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	*[[Best practices]]		*[[Best practices]]

	==~~External Resources~~==		==Loan Policy Examples==
	* [http://anthologyfilmarchives.org/pdfs/AFA_Print_Loan_Policy.pdf Anthology Film Archives print loan policy]		* [http://anthologyfilmarchives.org/pdfs/AFA_Print_Loan_Policy.pdf Anthology Film Archives print loan policy]
	* [http://www.oscars.org/filmarchive/forms/filmarchive-venuereport.pdf Academy Film Archive venue report form]		* [http://www.oscars.org/filmarchive/forms/filmarchive-venuereport.pdf Academy Film Archive venue report form]

Rlyon at 22:05, 17 February 2019

2019-02-17T22:05:02Z

← Older revision		Revision as of 15:05, 17 February 2019
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	One of the roles of the projectionist in the 21st century is to protect the print and ensure its longevity regardless of whether it is archival or not. Remember, it’s not your property, it’s merely in your care temporarily.		One of the roles of the projectionist in the 21st century is to protect the print and ensure its longevity regardless of whether it is archival or not. Remember, it’s not your property, it’s merely in your care temporarily.


	==See Also==		==See Also==
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	*[[Archives]]		*[[Archives]]
	*[[Best practices]]		*[[Best practices]]

			==External Resources==
			* [http://anthologyfilmarchives.org/pdfs/AFA_Print_Loan_Policy.pdf Anthology Film Archives print loan policy]
			* [http://www.oscars.org/filmarchive/forms/filmarchive-venuereport.pdf Academy Film Archive venue report form]
			* [http://www.libraries.iub.edu/index.php?pageId=1002892 Indiana University Film Archives Print Loan Policy & Procedures]
			* [http://www.cinema.ucla.edu/collections/print-loan-policy UCLA Film & Television Archive print loan policy]

Rlyon at 22:01, 17 February 2019

2019-02-17T22:01:48Z

← Older revision		Revision as of 15:01, 17 February 2019
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	===Handling Non-Archival Prints===		===Handling Non-Archival Prints===
	Some film prints are not considered archival by the lender. Some examples are studio prints (that are not part of the studio archive), some prints from private collectors or distributors, certain modern [[70mm]] struck for first-run release. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print. Check with your lender before determining whether or not a print is considered to be archival.		Some film prints are not considered archival by the lender. Some examples are studio prints (that are not part of the studio archive), some prints from private collectors or distributors, certain modern [[70mm]] struck for first-run release. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print. Check with your lender before determining whether or not a print is considered to be archival.

			One of the roles of the projectionist in the 21st century is to protect the print and ensure its longevity regardless of whether it is archival or not. Remember, it’s not your property, it’s merely in your care temporarily.


	==See Also==		==See Also==

Rlyon: /* See Also */

2019-02-17T21:40:29Z

Rlyon: /* See Also */

2019-02-17T21:40:19Z

Rlyon: /* Handling Non-Archival Prints */

2019-02-17T21:40:05Z

Handling Non-Archival Prints

← Older revision		Revision as of 14:40, 17 February 2019
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	===Handling Non-Archival Prints===		===Handling Non-Archival Prints===
	Some film prints are not considered archival by the lender. Some examples are studio prints (that are not part of the studio archive), some prints from private collectors or distributors, certain modern [[70mm]] struck for first-run release. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.		Some film prints are not considered archival by the lender. Some examples are studio prints (that are not part of the studio archive), some prints from private collectors or distributors, certain modern [[70mm]] struck for first-run release. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print. Check with your lender before determining whether or not a print is considered to be archival.

	==See Also==		==See Also==

Rlyon: /* Handling Non-Archival Prints */

2019-02-17T21:39:30Z

Handling Non-Archival Prints

← Older revision		Revision as of 14:39, 17 February 2019
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	===Handling Non-Archival Prints===		===Handling Non-Archival Prints===
	Some film prints are not considered archival by the lender. ~~Examples of these~~ are studio prints (that are not part of the studio archive), some prints from private collectors or distributors. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.		Some film prints are not considered archival by the lender. Some examples are studio prints (that are not part of the studio archive), some prints from private collectors or distributors, certain modern [[70mm]] struck for first-run release. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.

	==See Also==		==See Also==

Rlyon: /* Handling Non-Archival Prints */

2019-02-17T21:37:55Z

Handling Non-Archival Prints

← Older revision		Revision as of 14:37, 17 February 2019
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	===Handling Non-Archival Prints===		===Handling Non-Archival Prints===
	Some film prints are not considered archival by the lender. Examples of these are studio prints (that are not part of the studio archive), some prints from private collectors or distributors. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best ~~practices~~] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.		Some film prints are not considered archival by the lender. Examples of these are studio prints (that are not part of the studio archive), some prints from private collectors or distributors. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practice]] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.

	==See Also==		==See Also==

Rlyon: /* Handling Non-Archival Prints */

2019-02-17T21:37:34Z

Handling Non-Archival Prints

← Older revision		Revision as of 14:37, 17 February 2019
Line 33:		Line 33:

	===Handling Non-Archival Prints===		===Handling Non-Archival Prints===
	Some film prints are not considered archival by the lender. Examples of these are studio prints (that are not part of the studio archive), some prints from private collectors or distributors. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best ~~Practices~~\| best ~~practice~~] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.		Some film prints are not considered archival by the lender. Examples of these are studio prints (that are not part of the studio archive), some prints from private collectors or distributors. Because film prints are increasingly rare and no longer being produced by film laboratories in the large quantities they were before digital projection became the standard for [[Film print\|exhibition]] it is generally considered [[Best practices\| best practices] to treat them the same way you would an archival print. However the lender may still allow the borrower to do things like platter, make permanent cue marks, or remove the heads and tails of a non-archival print.

	==See Also==		==See Also==

← Older revision		Revision as of 14:40, 17 February 2019
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	*[[Film print]]		*[[Film print]]
	*[[Archives]]		*[[Archives]]
	*[[Best Practices		*[[Best Practices]]