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	<id>http://www.sprocketschool.org/w/index.php?action=history&amp;feed=atom&amp;title=Uncommon_film_gauges</id>
	<title>Uncommon film gauges - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.sprocketschool.org/w/index.php?action=history&amp;feed=atom&amp;title=Uncommon_film_gauges"/>
	<link rel="alternate" type="text/html" href="http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;action=history"/>
	<updated>2026-06-22T19:52:36Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;diff=4400&amp;oldid=prev</id>
		<title>Rfhall at 17:15, 16 October 2025</title>
		<link rel="alternate" type="text/html" href="http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;diff=4400&amp;oldid=prev"/>
		<updated>2025-10-16T17:15:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:15, 16 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l64&quot;&gt;Line 64:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Home Movie Day London has featured 9.5mm projection [https://www.facebook.com/homemoviedaylondon/posts/pfbid025uV7MnFgZJnrBzybG7igaWg9zQjRUSptDt8YJp8RNo7Pa5yTJajYLFrrssp7k3Xnl as recently as 2023]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Home Movie Day London has featured 9.5mm projection [https://www.facebook.com/homemoviedaylondon/posts/pfbid025uV7MnFgZJnrBzybG7igaWg9zQjRUSptDt8YJp8RNo7Pa5yTJajYLFrrssp7k3Xnl as recently as 2023]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Dino Everett presented [https://www.chicagofilmsociety.org/calendar/archives/classic/2014-annual/season-ten/ a screening of 28mm films] with the Chicago Film Society in 2014.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Dino Everett presented [https://www.chicagofilmsociety.org/calendar/archives/classic/2014-annual/season-ten/ a screening of 28mm films] with the Chicago Film Society in 2014.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==External links==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [https://www.pathefilm.uk/ Grahame Newnham&#039;s 9.5mm / 17.5mm / 28mm Web Pages]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Rfhall</name></author>
	</entry>
	<entry>
		<id>http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;diff=4396&amp;oldid=prev</id>
		<title>Rfhall at 16:41, 16 October 2025</title>
		<link rel="alternate" type="text/html" href="http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;diff=4396&amp;oldid=prev"/>
		<updated>2025-10-16T16:41:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:41, 16 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l65&quot;&gt;Line 65:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 65:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Dino Everett presented [https://www.chicagofilmsociety.org/calendar/archives/classic/2014-annual/season-ten/ a screening of 28mm films] with the Chicago Film Society in 2014.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Dino Everett presented [https://www.chicagofilmsociety.org/calendar/archives/classic/2014-annual/season-ten/ a screening of 28mm films] with the Chicago Film Society in 2014.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;--&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film gauges]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film gauges]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Small gauge film]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category: Small gauge film]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Rfhall</name></author>
	</entry>
	<entry>
		<id>http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;diff=4395&amp;oldid=prev</id>
		<title>Rfhall: This article incorporates and consolidates the text from the articles about 9.5mm, 22mm, and 28mm originally written by JesseCrooks</title>
		<link rel="alternate" type="text/html" href="http://www.sprocketschool.org/w/index.php?title=Uncommon_film_gauges&amp;diff=4395&amp;oldid=prev"/>
		<updated>2025-10-16T16:40:56Z</updated>

		<summary type="html">&lt;p&gt;This article incorporates and consolidates the text from the articles about 9.5mm, 22mm, and 28mm originally written by JesseCrooks&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Film gauges that are not 70mm, 35mm, 16mm, or 8mm wide are projected very rarely in modern exhibition settings. These &amp;#039;&amp;#039;&amp;#039;uncommon film gauges&amp;#039;&amp;#039;&amp;#039; include 9.5mm, 22mm, 28mm, and other gauges that are no longer manufactured or that were not common even when they were. Most were created for the amateur market and were not meant to be public exhibition formats.&lt;br /&gt;
&lt;br /&gt;
Today these formats are projected exclusively in specialty or hobbyist settings; for example [https://www.centerforhomemovies.org/ Home Movie Day] events in countries where 9.5mm was common as an amateur format may include 9.5mm projection, or institutions with [[Archives|technology archives]] may present a screening as a demonstration.&lt;br /&gt;
&lt;br /&gt;
==9.5mm==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;9.5mm&amp;#039;&amp;#039;&amp;#039; is a nontheatrical format released by Pathé in 1922. It is the most common of the uncommon gauges. It was popular as a format for home movies, view-at-home reduction prints, and amateur filmmaking in the United Kingdom and France. There is, as of 2025, an ongoing effort to manufacture it on a small scale.&amp;lt;ref&amp;gt;https://colorfilmsarchives.com/fr_FR/accueil&amp;quot;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;https://8mmforum.film-tech.com/vbb/forum/-9-5mm-forum/96824-what-is-the-future-of-9-5-mm&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
9.5mm is notable for its use of a single perforation located in the center of the frame. This maximized the surface area that could be used for the printed image, but increased the risk of damage to the center of the picture area.&lt;br /&gt;
&lt;br /&gt;
Another unique feature of 9.5mm is ability to pause the film on intertitles in order to save footage. A notch was cut on a title frame, which would trigger a lateral tensioner below the gate. This caused the claw to retract for a short period, leaving the same frame in the gate until it reengaged.&lt;br /&gt;
&lt;br /&gt;
===Resources===&lt;br /&gt;
&lt;br /&gt;
* [[Media:Pathe Baby Manual.pdf|Pathé Baby Projector Manual]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery widths=200px heights=200px&amp;gt;&lt;br /&gt;
File:Pathé Baby.JPG|Pathé Baby 9.5mm projector with a case of films in their original cartridges.&lt;br /&gt;
File:9 5mm TitleNotch.png|9.5mm film with a notch to pause the projector on the intertitle.&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==22mm==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;22mm&amp;#039;&amp;#039;&amp;#039; was one of the first film formats available for amateur use, introduced in 1912 for use with the Edison Home Kinetoscope. The format employed a unique system in which the picture was printed in three strips, with the center strip printed in reverse order so that it could be run backwards through the mechanism. The perforations are located between each strip of images. The reel would be cranked forward for the first strip, cranked backward for the second strip, and cranked forward again for the third strip. In order to place the selected strip in the optical path, a knob is turned to shift the lateral position of the gate, drive mechanism, and reel arm assembly, while the lens and lamphouse remain in a fixed position. The Home Kinetoscope was also equipped with a stereopticon lens and slide carriage. To project slides, the lamphouse was pushed away from the operator to align it with the stereopticon lens.&lt;br /&gt;
&lt;br /&gt;
22mm films were printed on a diacetate [[film base]], making the Home Kinetoscope safer to operate than the so-called “toy projectors” that were commonly available for home use, which were designed to run short lengths of highly flammable nitrate film. They were distributed on wooden cores and shipped to the user in film cans with a metal post in the center to hold the core in place. &lt;br /&gt;
&lt;br /&gt;
The Edison Home Kinetoscope was a financial failure, and the line was discontinued in 1914. At least 260 titles were offered in the 22mm format, all of them reductions of 35mm releases.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery widths=200px heights=200px&amp;gt;&lt;br /&gt;
File:22mm Film.jpg&lt;br /&gt;
File:22mm Film Can.jpg&lt;br /&gt;
File:Edison Home Kinetoscope.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Resources===&lt;br /&gt;
* [[Media:Edison Home Kinetoscope patent.pdf|Home Kinetoscope patent]]&lt;br /&gt;
&lt;br /&gt;
===External Links===&lt;br /&gt;
&lt;br /&gt;
* [http://uschefnerarchive.com/project/edisons-home-kinetoscope/ “Edison’s 22mm Home Kinetoscope”], from USC’s Hugh M. Hefner Moving Image Archive.&lt;br /&gt;
&lt;br /&gt;
* [https://collection.maas.museum/object/160424 Edison Home Kinetoscope with Accessories], from the Museum of Applied Arts &amp;amp; Sciences&lt;br /&gt;
&lt;br /&gt;
* [http://www.jstor.org/stable/41167086 Kattelle, Alan D. &amp;quot;The Edison Home Kinetoscope and Its Films.&amp;quot; The Moving Image: The Journal of the Association of Moving Image Archivists 2, no. 2 (2002): 121-28.]&lt;br /&gt;
&lt;br /&gt;
* [http://www.jstor.org/stable/41167087 Small Gauge Working Group. &amp;quot;Edison Home Kinetoscope (22mm): A List of Films and Sources.&amp;quot; The Moving Image: The Journal of the Association of Moving Image Archivists 2, no. 2 (2002): 128-36.]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==28mm==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;28mm&amp;#039;&amp;#039;&amp;#039; was a nontheatrical format released by Pathé in 1912. Intended for amateur home use, 28mm was printed on non-flammable diacetate stock. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery widths=200px heights=200px&amp;gt;&lt;br /&gt;
File:28mm FireSafety.png&lt;br /&gt;
File:28mm ManWithDog.png&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Screening examples==&lt;br /&gt;
* [https://inedits.eu/en/9-5mm-centenary/9-5mm-film-centenary-events-programme/ Various screenings of 9.5mm films] were organized in 2022 and 2023 in honor of the centennial of the format.&lt;br /&gt;
* Fernando Martín Peña [https://visiondelcine.wordpress.com/2019/04/01/llega-una-nueva-edicion-del-bazofi/ has presented 9.5mm screenings] as part of the BAZOFI festival in Buenos Aires, Argentina&lt;br /&gt;
* Home Movie Day London has featured 9.5mm projection [https://www.facebook.com/homemoviedaylondon/posts/pfbid025uV7MnFgZJnrBzybG7igaWg9zQjRUSptDt8YJp8RNo7Pa5yTJajYLFrrssp7k3Xnl as recently as 2023]&lt;br /&gt;
* Dino Everett presented [https://www.chicagofilmsociety.org/calendar/archives/classic/2014-annual/season-ten/ a screening of 28mm films] with the Chicago Film Society in 2014.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Film gauges]]&lt;br /&gt;
[[Category: Small gauge film]]&lt;/div&gt;</summary>
		<author><name>Rfhall</name></author>
	</entry>
</feed>