| Welcome to Sprocket School! This project is maintained by volunteer editors. Learn more about how this works. |
Sound formats: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
* magenta vs. cyan vs. black/silver/gray for optical tracks | * magenta vs. cyan vs. black/silver/gray for optical tracks | ||
* Determining sound formats (esp. optical formats) | * Determining sound formats (esp. optical formats) | ||
* Determining sound levels - best practices | |||
* Sound on disc | * Sound on disc | ||
* Silent films | * Silent films | ||
| Line 7: | Line 8: | ||
* Sound processors | * Sound processors | ||
* Speakers | * Speakers | ||
Revision as of 13:18, 3 August 2013
- magenta vs. cyan vs. black/silver/gray for optical tracks
- Determining sound formats (esp. optical formats)
- Determining sound levels - best practices
- Sound on disc
- Silent films
- optical vs. digital vs. mag
- Amplifiers?
- Sound processors
- Speakers
| Sound format | Type | 70mm? | 35mm? | 16mm? | 8mm? | Super8? | Other gauges? | Notes |
|---|---|---|---|---|---|---|---|---|
| Mono | Optical | x | x | variable density vs. variable area | ||||
| Stereo | Optical | x | ||||||
| Dolby SR | Optical | x | ||||||
| Dolby A | Optical | x | ||||||
| Dolby SR-D | Digital | x | Also called Dolby Digital | |||||
| DTS | Digital | x | x | |||||
| SDDS | Digital | x | ||||||
| Magnetic | Magnetic | x | x | x | x |