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16mm sound formats: Difference between revisions

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Created page with "* mono - various types (mauer, single track, etc) (stereo was developed in the 1990s and some Eastman projectors have readers for this but no prints were made) * silent (double perf vs. single perf) * sound from external sources (digital file, cassette tape, radio, etc.) * mag stripe (rare for standard projection settings but comes up with home movies and artifacts like Scopitones) * production elements you may run into (e.g. fullcoat) * DTS exists in very rare, semi-exp..."
 
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=Gallery=
=Gallery=
[[File:Mauer track.JPG|left|thumb|200px|An example of a ''Mauer track''.]]
<gallery widths=200px heights=200px>
[[File:16mm test film.jpg|left|thumb|200px]]
File:Mauer track.JPG|An example of a ''Mauer track''.]]
[[File:16mm-mono-single.jpg|left|thumb|200px]]
File:16mm test film.jpg
File:16mm-mono-single.jpg
</gallery>


[Category:16mm]
[[Category:16mm]]

Revision as of 22:08, 15 October 2025

  • mono - various types (mauer, single track, etc) (stereo was developed in the 1990s and some Eastman projectors have readers for this but no prints were made)
  • silent (double perf vs. single perf)
  • sound from external sources (digital file, cassette tape, radio, etc.)
  • mag stripe (rare for standard projection settings but comes up with home movies and artifacts like Scopitones)
  • production elements you may run into (e.g. fullcoat)
  • DTS exists in very rare, semi-experimental cases, but this is not something you will run into in an ordinary projection setting.

Gallery