| Welcome to Sprocket School! This project is maintained by volunteer editors. Learn more about how this works. |
Best practices: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
No edit summary |
||
| Line 11: | Line 11: | ||
* Cues | * Cues | ||
* No need for lens turrets | * No need for lens turrets | ||
===Recommended Equipment=== | |||
* Projectors | |||
* splicers | |||
* cleaning supplies | |||
* rewind benches | |||
[[Category:Film handling]] | [[Category:Film handling]] | ||
[[Category:Technique]] | [[Category:Technique]] | ||
[[Category:Resources]] | [[Category:Resources]] | ||
Revision as of 15:41, 12 August 2013
The 21st century projectionist's guiding principle: every print borrowed for exhibition, regardless of gauge or source, should be handled with a maximum of care and a minimum of shortcuts.
Elements of Style
- Inspection
- Creating an Inspection Sheet
- Projection
- Shipping
- Not plattering (including 6k reels?) - arguments pro + con
- runs vs. one-offs
- Not using automation or automation tape
- Cues
- No need for lens turrets
Recommended Equipment
- Projectors
- splicers
- cleaning supplies
- rewind benches