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(Created page with " A 35mm Print of a Feature Film can cost anywhere from $2000-20,000, the workflow to create restored internegatives can cost many times that. CAMERA ORIGINAL>>>ANSWER PR...")
 
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DIGITAL MASTER or DIGITAL INTERNEGATIVE >>>“DIRECT PRINT”
DIGITAL MASTER or DIGITAL INTERNEGATIVE >>>“DIRECT PRINT”


IRREPLACEABLE PRINTS: TECHNICOLOR, TIMED ANSWER PRINTS FROM OCN, REVERSAL PRINTS (stock no longer manufactured, 16mm only), MAGNETIC SOUNDTRACK, DISCONTINUED STOCK (Kodak 2393, Fuji, Orwocolor), Prints with no protection elements. There may not be a financial incentive for a studio to strike a new print if one is damaged or destroyed.  
===Irreplaceable Prints===
*IB Technicolor
*Timed answer prints from the original camera negative
*Reversal prints (stock no longer manufactured, 16mm only)
*Prints with magnetic soundtracks
*Discontinued [[film stocks|stocks]] such as Kodak 2393, Fuji, Orwocolor
*Prints with no [[pre-print element|protection elements]]. There may not be a financial incentive for a studio to strike a new print if one is damaged or destroyed.  


Only a handful of labs left in the world printing and processing motion picture film. Only one lab in the US doing laser subtitles
Only a handful of labs left in the world printing and processing motion picture film. Only one lab in the US doing laser subtitles

Revision as of 12:49, 17 February 2019

A 35mm Print of a Feature Film can cost anywhere from $2000-20,000, the workflow to create restored internegatives can cost many times that.

CAMERA ORIGINAL>>>ANSWER PRINT & SUBSEQUENT RELEASE PRINTS

CAMERA ORIGINAL>>>INTERPOSITIVE>>>INTERNEGATIVE>>>RELEASE PRINT

CAMERA ORIGINAL>>>DIGITAL INTERMEDIATE>>>INTERNEGATIVE>>>RELEASE PRINT

DIGITAL MASTER>>>INTERNEGATIVE>>>RELEASE PRINT

DIGITAL MASTER or DIGITAL INTERNEGATIVE >>>“DIRECT PRINT”

Irreplaceable Prints

  • IB Technicolor
  • Timed answer prints from the original camera negative
  • Reversal prints (stock no longer manufactured, 16mm only)
  • Prints with magnetic soundtracks
  • Discontinued stocks such as Kodak 2393, Fuji, Orwocolor
  • Prints with no protection elements. There may not be a financial incentive for a studio to strike a new print if one is damaged or destroyed.

Only a handful of labs left in the world printing and processing motion picture film. Only one lab in the US doing laser subtitles

See Also