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List of post-2000 films made without a digital intermediate: Difference between revisions
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*FRIDAY NIGHT (Claire Denis, 2002) | *FRIDAY NIGHT (Claire Denis, 2002) | ||
*[http://www.theasc.com/asc_blog/goldman/2010/11/05/vilmos-and-woody-together-again/ HOLLYWOOD ENDING] (Woody Allen, 2002) | |||
*INSOMNIA (Christopher Nolan, 2002) | *INSOMNIA (Christopher Nolan, 2002) | ||
*[http://motion.kodak.com/motion/Publications/InCamera/Wally_Pfister_is_the_KODAK_Focus_at_the_LA_Film_Festival.htm LAUREL CANYON] (Lisa Cholodenko, 2002) | *[http://motion.kodak.com/motion/Publications/InCamera/Wally_Pfister_is_the_KODAK_Focus_at_the_LA_Film_Festival.htm LAUREL CANYON] (Lisa Cholodenko, 2002) |
Revision as of 16:32, 2 June 2014
List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow.
2001
- ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed
- THE CURSE OF THE JADE SCORPION* (Woody Allen, 2001)
- MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed
- TROUBLE EVERY DAY (Claire Denis, 2001)
2002
- FRIDAY NIGHT (Claire Denis, 2002)
- HOLLYWOOD ENDING (Woody Allen, 2002)
- INSOMNIA (Christopher Nolan, 2002)
- LAUREL CANYON (Lisa Cholodenko, 2002)
- MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
- PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003
- MYSTIC RIVER (Clint Eastwood, 2003)
2004
- INTRUDER, THE (Claire Denis, 2004)
- MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005
- BATMAN BEGINS (Christopher Nolan, 2005)IMAX Prints went through DMR for 35mm scenes
- BROKEBACK MOUNTAIN (Ang Lee, 2005) Release prints on Fuji stock
2007
- THERE WILL BE BLOOD (Paul Thomas Anderson, 2007)
2009
- DARK KNIGHT, THE (Christopher Nolan, 2008) IMAX Prints went through DMR for 35mm scenes
2010
- INCEPTION (Christopher Nolan, 2010)
2012
- DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
- MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014
- TRANSCENDENCE (Wally Pfister, 2014)