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List of post-2000 films made without a digital intermediate: Difference between revisions

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=====2002=====
=====2002=====
*FRIDAY NIGHT (Claire Denis, 2002)
*FRIDAY NIGHT (Claire Denis, 2002)
*GANGS OF NEW YORK (Martin Scorsese, 2002) unconfirmed
*GANGS OF NEW YORK (Martin Scorsese, 2002) ''unconfirmed''
*[http://www.theasc.com/asc_blog/goldman/2010/11/05/vilmos-and-woody-together-again/ HOLLYWOOD ENDING] (Woody Allen, 2002)
*[http://www.theasc.com/asc_blog/goldman/2010/11/05/vilmos-and-woody-together-again/ HOLLYWOOD ENDING] (Woody Allen, 2002)
*[http://screenrant.com/christopher-nolan-imax-3d-cgi-mlee-164945/ INSOMNIA] (Christopher Nolan, 2002)
*[http://screenrant.com/christopher-nolan-imax-3d-cgi-mlee-164945/ INSOMNIA] (Christopher Nolan, 2002)

Revision as of 16:17, 3 June 2014

List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow.

2001
  • ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed
  • THE CURSE OF THE JADE SCORPION* (Woody Allen, 2001)
  • MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed
  • TROUBLE EVERY DAY (Claire Denis, 2001)
2002
  • FRIDAY NIGHT (Claire Denis, 2002)
  • GANGS OF NEW YORK (Martin Scorsese, 2002) unconfirmed
  • HOLLYWOOD ENDING (Woody Allen, 2002)
  • INSOMNIA (Christopher Nolan, 2002)
  • LAUREL CANYON (Lisa Cholodenko, 2002)
  • MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
  • PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003
2004
  • INTRUDER, THE (Claire Denis, 2004)
  • MELINDA AND MELINDA (Woody Allen, 2004)
  • MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005
2006
  • SCOOP (Woody Allen, 2006)
2007
2008
2009
2010
2012
  • DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
  • MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014