Welcome to Sprocket School! This project is maintained by volunteer editors. A guide to editing.

List of post-2000 films made without a digital intermediate

From Sprocket School
Jump to navigation Jump to search

List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow.

2001
  • ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed
  • THE CURSE OF THE JADE SCORPION* (Woody Allen, 2001)
  • MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed
  • TROUBLE EVERY DAY (Claire Denis, 2001)
2002
  • FRIDAY NIGHT (Claire Denis, 2002)
  • HOLLYWOOD ENDING (Woody Allen, 2002)
  • INSOMNIA (Christopher Nolan, 2002)
  • LAUREL CANYON (Lisa Cholodenko, 2002)
  • MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
  • PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003
2004
  • INTRUDER, THE (Claire Denis, 2004)
  • MELINDA AND MELINDA (Woody Allen, 2004)
  • MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005
  • BATMAN BEGINS (Christopher Nolan, 2005)IMAX Prints went through DMR for 35mm scenes
  • BROKEBACK MOUNTAIN (Ang Lee, 2005) Release prints on Fuji stock
  • MATCH POINT (Woody Allen, 2005)
2007
  • THERE WILL BE BLOOD (Paul Thomas Anderson, 2007)
2009
  • DARK KNIGHT, THE (Christopher Nolan, 2008) IMAX Prints went through DMR for 35mm scenes
2010
  • INCEPTION (Christopher Nolan, 2010)
2012
  • DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
  • MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014