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List of post-2000 films made without a digital intermediate

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Revision as of 19:13, 2 June 2014 by Jantos (talk | contribs) (→‎2005)
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List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow.

2001
  • ARTIFICIAL INTELLIGENCE: AI (Steven Spielberg, 2001) unconfirmed
  • THE CURSE OF THE JADE SCORPION* (Woody Allen, 2001)
  • MOULIN ROUGE (Baz Luhrmann, 2001) unconfirmed
  • TROUBLE EVERY DAY (Claire Denis, 2001)
2002
  • FRIDAY NIGHT (Claire Denis, 2002)
  • HOLLYWOOD ENDING (Woody Allen, 2002)
  • INSOMNIA (Christopher Nolan, 2002)
  • LAUREL CANYON (Lisa Cholodenko, 2002)
  • MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
  • PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003
2004
  • INTRUDER, THE (Claire Denis, 2004)
  • MELINDA AND MELINDA (Woody Allen, 2004)
  • MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005
2006
  • SCOOP (Woody Allen, 2006)
2007
  • CASSANDRA'S DREAM (Woody Allen, 2007)
  • THERE WILL BE BLOOD (Paul Thomas Anderson, 2007)
2008
2009
  • DARK KNIGHT, THE (Christopher Nolan, 2008) IMAX Prints went through DMR fr 35mm scenes
  • WHATEVER WORKS (Woody Allen, 2009)
2010
2012
  • DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
  • MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014