Welcome to Sprocket School! This project is maintained by volunteer editors. A guide to editing.

Difference between revisions of "Splicing"

From Sprocket School
Jump to navigation Jump to search
Line 4: Line 4:


===Tape===
===Tape===
* Yellow tape or zebra tape is often used when building prints for platter or reels larger than 2k feet so that the splice could be easily identified later when the print was broken down. When working with archival prints or making repairs, only ever use clear archival splicing tape. NEVER use tapes not meant for splicing such as scotch tape or masking tape!
* Yellow tape or zebra tape is often used when building prints for platter or reels larger than 2k feet so that the splice could be easily identified later when the print was broken down. When working with archival prints or making repairs, only ever use clear archival splicing tape. Yellow tape tends to be thinner, and also very hard to remove when left for long periods on a print. NEVER use tapes not meant for splicing such as scotch tape or masking tape!
* Make sure your splices do not show any gaps, the ends of the film should meet perfectly. Gaps can cause the splice to bend at right angles or "hinge" when running through the projector, and the splice may break. A good way to check is the hold the film gently on either side of the splice and bend the film slightly upwards. The film should form a curve, if it makes an angle like a hinge you should check the splice.  
* Make sure your splices do not show any gaps, the ends of the film should meet perfectly. Gaps can cause the splice to bend at right angles or "hinge" when running through the projector, and the splice may break. A good way to check is the hold the film gently on either side of the splice and bend the film slightly upwards. The film should form a curve, if it makes an angle like a hinge you should check the splice.
 


===RESOURCES===
===RESOURCES===

Revision as of 16:15, 30 March 2017

There are a few different methods for splicing two pieces of film together.

  • Best splicers and splicing methods for different film gauges and different circumstances

Tape

  • Yellow tape or zebra tape is often used when building prints for platter or reels larger than 2k feet so that the splice could be easily identified later when the print was broken down. When working with archival prints or making repairs, only ever use clear archival splicing tape. Yellow tape tends to be thinner, and also very hard to remove when left for long periods on a print. NEVER use tapes not meant for splicing such as scotch tape or masking tape!
  • Make sure your splices do not show any gaps, the ends of the film should meet perfectly. Gaps can cause the splice to bend at right angles or "hinge" when running through the projector, and the splice may break. A good way to check is the hold the film gently on either side of the splice and bend the film slightly upwards. The film should form a curve, if it makes an angle like a hinge you should check the splice.

RESOURCES

Ultrasonic

Cement

Best Practices