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*[http://motion.kodak.com/motion/Publications/InCamera/Sections/The_StoryBoard/Pfister_and_Hall_Go_Above_and_Beyond_in_Transcendence.htm TRANSCENDENCE] (Wally Pfister, 2014) | *[http://motion.kodak.com/motion/Publications/InCamera/Sections/The_StoryBoard/Pfister_and_Hall_Go_Above_and_Beyond_in_Transcendence.htm TRANSCENDENCE] (Wally Pfister, 2014) | ||
*[https://interstellar.withgoogle.com/ways-to-see INTERSTELLAR] (Christopher Nolan, 2014)IMAX prints went through DMR for 35mm scenes; 35mm prints went through a DI for IMAX scenes only; 5-perf 70mm prints were entirely photochemical. | *[https://interstellar.withgoogle.com/ways-to-see INTERSTELLAR] (Christopher Nolan, 2014) IMAX prints went through DMR for 35mm scenes; 35mm prints went through a DI for IMAX scenes only; 5-perf 70mm prints were entirely photochemical. |
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