List of post-2000 films made without a digital intermediate

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List in progress. This list is limited mainly to "mainstream" features, where prints made through a DI would be considered normal workflow. For the purposes of this list, "Digital Intermediate" refers to image only, rather than image and sound. This list DOES include films that used a DI for effects shots but were otherwise finished photochemically.

2001
2002
  • FRIDAY NIGHT (Claire Denis, 2002)
  • GANGS OF NEW YORK (Martin Scorsese, 2002) unconfirmed
  • HOLLYWOOD ENDING (Woody Allen, 2002)
  • INSOMNIA (Christopher Nolan, 2002)
  • LAUREL CANYON (Lisa Cholodenko, 2002)
  • MINORITY REPORT (Steven Spielberg, 2002) unconfirmed
  • PUNCH DRUNK LOVE (Paul Thomas Anderson, 2002)
2003
2004
  • INTRUDER, THE (Claire Denis, 2004)
  • MELINDA AND MELINDA (Woody Allen, 2004)
  • MILLION DOLLAR BABY (Clint Eastwood, 2004) unconfirmed
2005
2006
2007
2008
2009
2010
2012
  • DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes
  • MASTER, THE (Paul Thomas Anderson, 2012) 70mm prints and some 35mm prints did not use a DI
2014
  • TRANSCENDENCE (Wally Pfister, 2014)
  • INTERSTELLAR (Christopher Nolan, 2014) IMAX prints went through DMR for 35mm scenes; 35mm prints went through a DI for IMAX scenes only; 5-perf 70mm prints were entirely photochemical.
2015