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*DARK KNIGHT RISES, THE (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes | *[http://screenrant.com/christopher-nolan-imax-3d-cgi-mlee-164945/ DARK KNIGHT RISES, THE] (Christopher Nolan, 2012) IMAX Prints went through DMR for 35mm scenes | ||
*[http://www.studiodaily.com/2012/09/films-not-dead-yet-part-2-fotokems-workflow-for-the-master-in-70mm-35mm-and-4k/ MASTER, THE] (Paul Thomas Anderson, 2012) 70mm prints and ''some'' 35mm prints did not use a DI | *[http://www.studiodaily.com/2012/09/films-not-dead-yet-part-2-fotokems-workflow-for-the-master-in-70mm-35mm-and-4k/ MASTER, THE] (Paul Thomas Anderson, 2012) 70mm prints and ''some'' 35mm prints did not use a DI | ||
=====2014===== | =====2014===== | ||
*[http://motion.kodak.com/motion/Publications/InCamera/Sections/The_StoryBoard/Pfister_and_Hall_Go_Above_and_Beyond_in_Transcendence.htm TRANSCENDENCE] (Wally Pfister, 2014) | *[http://motion.kodak.com/motion/Publications/InCamera/Sections/The_StoryBoard/Pfister_and_Hall_Go_Above_and_Beyond_in_Transcendence.htm TRANSCENDENCE] (Wally Pfister, 2014) |
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