1,306
edits
| Welcome to Sprocket School! This project is maintained by volunteer editors. Learn more about how this works. |
Sound formats: Difference between revisions
Jump to navigation
Jump to search
no edit summary
No edit summary |
No edit summary |
||
| Line 4: | Line 4: | ||
'''Sound formats''' are technologies that allow recorded sound to be synchronized to (or otherwise accompany) a film. Sound formats also encompass more advanced technologies like '''noise reduction''' and '''sound processing'''. Before the advent of sound formats, all films were [[silent film|silent]]. | '''Sound formats''' are technologies that allow recorded sound to be synchronized to (or otherwise accompany) a film. Sound formats also encompass more advanced technologies like '''noise reduction''' and '''sound processing'''. Before the advent of sound formats, all films were [[silent film|silent]]. | ||
* magnetic | * [[magnetic soundtrack]], [[optical soundtrack]], digital sound/sound on disc | ||
* magenta vs. cyan vs. black/silver/gray for optical tracks | * magenta vs. cyan vs. black/silver/gray for optical tracks | ||
* Determining sound formats (esp. optical formats) | * Determining sound formats (esp. optical formats) | ||
* Determining sound levels - best practices | * Determining sound levels - best practices | ||
* Amplifiers? | * Amplifiers? | ||
* Sound processors | * Sound processors | ||